Monday, 25 October 2010

Creatively Retarded

Graffiti style. The universal socially acceptable graphic art form.

I was at an event yesterday which triggered suppressed emotions I have for this style. I saw a lot of people selling t-shirts emblazoned with “Islamic words” in a graffiti font, as if writing it in such a way somehow made it relevant and acceptable to the masses.

Argh! Graffiti! I never understood how something which was predominantly associated with American hip-hop culture had any relevance to my life and more to the point, relevance to me as a Muslim.
It bothered me that this was the graphic identity that young Muslims had adopted to symbolise their culture. It bothered me that they were borrowing someone else’s culture. It bothered me that they weren’t trying to create their own identity, especially since Islamic history has such deep connections with art; beautiful art. As you can see I was quite bothered.

I thought I had dealt with these emotions long ago, but I clearly had not yet had closure. Journey, I journeyed to the ends of the realm of my logical capabilities and explored the possible answers to these questions keeping me awake at night.
I will now share with you the possible answers I came up with on why we don’t seem to have our own identity.

Is there a lack of value for creativity? I know that being of Arab origin I rarely impress any of my family members when I tell them I’m a designer. Most of them say something along the lines of “You should’ve studied something useful, then you could have done your designing in your spare time”. And with my Asian friends parents it’s simply “No, you’re going to study medicine”, or possibly engineering.

Is it because of the negative association of the culture of “innovation”? In Islam, there’s a term for “innovation in religion” called “biddah” which refers to people inventing new things into religious practise. It’s a very bad thing. So is the whole “nature of innovation” frowned upon? Islam is after all, about letting go of your ego.

Or is it because Muslims today haven’t self-actualised? Are we still on the penultimate step on the Maslow Pyramid? Why is this? Why are we embarrassed? Is it because generally religion is frowned upon in the West and we constantly feel like we have to apologise?


......Or, do we for some reason just like how graffiti looks and I’m thinking about this way too much?
I feel like, we should be forging our own identity. We should be taking elements of our native, adopted and Islamic cultures and creating something beautiful. And I don’t mean graffiti in an arabesque style font. I mean, the kind of stuff that Elenany does :) Thank you.

Saturday, 3 July 2010

I’m not a fashion designer.

There have been malicious rumours circulating in some press lately that I am a fashion designer. Particularly hurtful have been things like that I’m inspired by The Catwalk, and mix trends with “hijabi fashion”. I mean, how upsetting. I’d like to clear this up once and for all with the following statement:

I hereby declare that I am not a fashion designer.

I never have been. I’m not interested in fashion. One time when I started out I tried to convince myself that I was really into shoes, but I just couldn’t sustain the lie for very long at all.
But I design clothes, right? Yeah, but I am a product designer who designs products, and my products just happen to be clothes. Look, I studied Engineering Product Design, not to brag that I can do engineering or anything, rather, to illustrate the point that there is a very practical/ pragmatic approach to my clothes design. The reason why I started the label was to provide very wearable products, that could work within a context relevant to the culture “Western Muslims” lived in and still be covered up and modest. I really could not care less about fashion-y fashion or what The Saturdays are wearing or what the latest gimmick to grace The Catwalk is. Really. Seriously. Believe me.

I think the most cutting of comments is that I’m inspired by the latest trends. How insulting. To imply that my work will only be good for one particular 6-month season is really hurtful. Nay, my clothes can be worn this season, next season, so last season. In other words Elenany clothes are timeless. Good design is timeless.

But in all seriousness I think it’s the reactions to expressions such as “Muslim fashion” which sparks the most interesting debate. It’s by and large the opinion that Muslim and fashion are contradictory terms which I would agree with, but going with the definition that “fashion” is showy and attention grabbing by its very nature. I therefore hope with the explanation of the ethos of my brand above, that’s not how I roll, at all. The more interesting reaction is “why do we (the Muslims) want to fit in and be a part of mainstream society?”. That’s the real debate. Start talking.

Saturday, 15 May 2010

Religion, Politics and……Design?

It’s probably a couple of weeks too late to be talking about politics. A bit irresponsible of me really, what with my 6 blog followers, I’m obviously influential enough to have made the difference in deciding the outcome of the election.

Why am I even talking about politics on a design blog? Because politics is important to me as a designer. Why so? Because politics is about life and the way I design things is a product of my life.
Design makes the world better and easier. It improves the way people live their lives. It simplifies things. It is at the service of the people. It brings people together. It breaks barriers. It makes the world smaller. Proper design anyway, not showy design which only serves to make the “designer” some cash.
As a designer I need to be intuitive in order to assess everyday problems and find ways of finding solutions to these problems. I need to have an open mind, a free mind, an independent mind. And be creative, obviously. I also need an environment where I can be subject to these conditions. And what does politics do except dictate the conditions which I live under.

………So which system allows me these conditions? Capitalism makes me a slave to materialism; it therefore contradicts my right to be free.
Where does this leave me? Somewhere on the Left….Most good designers and fair people are.

Let me complain a bit more about capitalism and its followers. Thanks.
I think most people who vote conservative consider themselves to be “hard working and good people”. I however, would generally consider them to be “ordinary people”. To be good, implies that you are doing something extra-ordinary. Like, for example, not just doing the ordinary instinctive thing and caring about yourself; but caring for others to an equal extent.
I think that capitalism/materialism encourages us to own things which we think will make us happy. Anyone who has ever travelled to a poor country and has seen that people can be happy without nice cars and that they treat each other with kindness will understand that people don’t actually need nice things to be happy. Likewise, anyone who has ever met someone with a crazy amount of money and is unhappy and unfulfilled will realise the same thing. I believe life is like design. The best kind of design, is simple design. It’s about taking out the superfluous crap that doesn’t need to be there. And capitalism encourages us to strive for superfluous crap. And be competitive for this crap and not like each other in the process of attaining it.

So now let me talk about the Left. I think that Islam is basically socialism but with God and rules. It puts the well-being of the people above the well-being of the individual. It allows me to express myself and be relaxed and open in doing so. It means I don’t feel that I am less than someone just because they own more things than I do. It allows me to feel safe around other people. It provides the environment I need to feel free and therefore be a good designer. This is why politics is important to me.

So to say I am disappointed that Cameron is our new Prime Minister would be a gross understatement. Cameron and his party philosophy are only good for him and his rich friends and setting the bar at the height of being like him and his rich friends.
Like design, I think that life should be inclusive; for all.

Thursday, 25 March 2010

The final chapter. For now.

Now safely back in the UK I conclude my Indonesia blog with my overall impressions of this enchanted country. I have gathered my thoughts on varying elements and present them to in three sections: People culture, Tradition culture and Fashion culture.

People culture:
Indonesians are one of the most laid back, polite and friendly people I have ever met. You don’t get a feeling of social hierarchy there. We met quite a lot of important people and yet they never made us feel like we owed them anything, or that we had to kiss their asses. The Indonesians don’t stare at you for being a foreigner. They show love. This might be because Indonesia has been occupied, invaded and visited (by the Dutch, Japanese, Arabs etc etc etc) so many times over the years, new cultures don’t phase them….Each culture that has come has left its mark without the Indonesians being resentful about it, be it in art, religion or whatever. One of our tour co-ordinators said that he spends he holidays travelling around the islands of Indonesia staying each night with a different family, who he doesn’t know, who invite him in. That’s pretty cool. Such is the people culture in Indonesia.

Tradition Culture.
Tradition and heritage is alive and strong and celebrated. There is Batik everywhere. Both young and old people wear it and are inspired by it. There is a story behind each design and there are thousands of designs. That’s a lot of stories.
The food is……nothing like I’ve ever tasted before……If I were to describe Indonesian food using music, I would say it was like Aphex Twin……
There are also many other traditions which have been preserved and are practised on a daily basis whose product’s largely provide the domestic market such as wood carving, weaving and art using natural elements…like bones for example.


The "Singing Fish" dish and a worker at a weaving machine

Fashion Culture.
Fashion isn’t really that “big” in Indonesia but it is growing. While we were there, people kept asking us how we could export Indonesian fashion to The West, for commercial reasons of course. Indonesian products might be too traditional for Western tastes how they stand but careful/sensitive collaboration between the two cultures can potentially create something beautiful. You would just need the right designer. And that’s where I come in.


Imran getting papped and a cool piece of Batik

I hope you have enjoyed my blog. I might start blogging properly now if/when I have interesting stuff to share.

Monday, 22 March 2010

Return to Jakarta

“What’s the name of the hotel we’re staying in again? Is it The Sultan or The Turban?” –May Cortazzi; genius.
Just arrived in Jakarta from Solo, after a very dodgy flight. So dodgy in fact, that the girl three seats next to me puked from the landing.

Solo was such a cool place (not as cool as Bandung though). This afternoon we had lunch at Madam Obin’s house, she’s kind of like an Indonesian Vivienne Westwood: completely bonkers and really influential in the cloth world. She also had a workshop next to her house which was awesome, you felt like the workers enjoyed coming to work.


Lunch at Madam Obin's. See her wonderful work www.binhouse.com

We also got our first taste of some “real Indonesia” –we’ve been pretty sheltered so far with staying in nice hotels and eating in fancy restaurants….we went to a real market for real people.

Sunday, 21 March 2010

From Bandung to Solo and MANGOSTEEEEEEEN!

Today we went round the Mayor of Solo’s house and we ate and he put on a fashion show especially for us and we did a mini tour of his palace. He looked a bit like Obama.



Yesterday in Bandung, I finally tasted my beautiful mangosteen! Although I got a bag full I accidentally left it in the fridge in the hotel so I’m back to square one. But check out the precious below.



I’m really gutted I didn’t take more pictures of Bandung, the camera on my battery ran out. It is so beautiful and one day I want to live there. It’s also a very hip town with a strong youth urban culture. My stuff would go down a treat ‘round these parts.



Friday, 19 March 2010

Farewell Jakarta

Another awesome day spent learning about the “Indonesian Muslim Fashion Scene”. Bare peeps want to hook up with me, it’s exciting!! It’s our last day in Jakarta today, tomorrow we go to Bandung where apparently both the weather and the people are cooler.
Today we spent some time discussing stuff at BINUS university, the best business school in Indonesia. Tomorrow I post pictures, but today you enjoy the ones below.